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DTSTART;TZID=Europe/London:20240906T183000
DTEND;TZID=Europe/London:20240906T203000
DTSTAMP:20250908T134535Z
CREATED:20240624T091654Z
LAST-MODIFIED:20250908T134535Z
UID:20572-1725647400-1725654600@royalasiaticsociety.org
SUMMARY:Noh and Kyogen Masks Demonstration Talk with Kitazawa Hideta with Jannette Cheong
DESCRIPTION:[vc_row][vc_column][vc_column_text css=””]Mask-making Demonstration Talk \nRenowned mask-carver Kitazawa Hideta will be joined by author and producer of English-language noh Jannette Cheong\, to explore the process of designing\, carving and working with noh masks. Kitazawa is unique in the noh world in making new masks for innovative and experimental noh pieces\, including English-language noh\, as well as producing classical noh and kyogen (nohgaku) masks. He will demonstrate the different stages of carving\, offering a rare opportunity to understand how iconic noh masks are made for both traditional and contemporary noh. \nAt the end of this demonstration talk Kitazawa Hideta will undertake a book signing of his newly published book ‘Noh and Kyogen Masks: Tradition and Modernity in the Art of Kitazawa Hideta. \nKitazawa Hideta is a wood sculptor and noh mask maker based in Tokyo. He learned traditional wood carving of Buddhist and Shinto statuary from his father\, Kitazawa Ikkyo\, and later studied noh mask carving. He currently produces classical noh and kyogen masks and has been designated a master craftsman by the Tokyo Metropolitan government. Kitazawa has also created numerous shinsaku “new” masks for foreign language noh productions\, notably those of Theatre Nohgaku\, as well as for other noh influenced plays. He has given workshops and demonstrations in Japan and internationally and a book on his work entitled Noh and Kyogen Masks will be published by Prestel in Autumn 2024. \n  \n \n  \nJannette Cheong is a poet\, playwright\, designer and Theatre Nohgaku-affiliated artist. London born\, she has been involved with education and artistic collaborations\ninternationally for almost 40 years. She is the author of the English noh Pagoda\, the first English noh using traditional noh techniques written by a British person\, toured by the Oshima Noh Theatre/Theatre Nohgaku (Europe 2009\, Asia 2011). Her ballet-noh-opera collaborative piece\, Opposites-InVerse\, was performed for Matsui Akira’s tribute programme: Noh Time Like the Present\, London (2017). Her English noh Between the Stones (Europe\, 2020) was again toured by Oshima Noh Theatre/Theatre Nohgaku. \nTogether with Richard Emmert she co-authored (and designed) Noh and Kyogen Masks: Tradition and Modernity in the Art of Kitazawa Hideta. \nPart of the Nogaku education and outreach programme. Click here for the full programme. \nFeatured image: Oshima Kinue performs Pagoda at the National Noh Theatre\, Tokyo\, December 2009. Photo: Kitazawa Sohta[/vc_column_text][/vc_column][/vc_row]
URL:https://royalasiaticsociety.org/lectures-event/noh-and-kyogen-masks-demonstration-talk-with-kitazawa-hideta-with-jannette-cheong/
LOCATION:Royal Asiatic Society\, 14 Stephenson Way\, London\, NW1 2HD\, United Kingdom
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://royalasiaticsociety.org/wp-content/uploads/2024/06/noh1.jpg
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DTSTART;TZID=Europe/London:20240918T183000
DTEND;TZID=Europe/London:20240918T200000
DTSTAMP:20250908T122828Z
CREATED:20240624T092543Z
LAST-MODIFIED:20250908T122828Z
UID:20575-1726684200-1726689600@royalasiaticsociety.org
SUMMARY:The Life and Work of Noh Actor Akira Matsui (interviewed by Margaret Coldiron)
DESCRIPTION:[vc_row][vc_column][vc_column_text css=””]Akira Matsui is a master actor-teacher of the Kita School of Japanese classical noh theatre. Matsui was born in 1946 and began studying noh at the age of seven. He showed such talent that\, at age 12\, he became a “live-in apprentice” to Kita Minoru\, the 15th generation of noh masters of the Kita School (one of the five guilds of shite main role actors). From his firm foundation in tradition\, Matsui has experimented in intercultural fusions. He has acted in productions of plays by Shakespeare\, W.B. Yeats\, and Beckett\, and has written plays based on Rashoman and Hoichi. Together with American noh composer-performer Richard Emmert\, he has created a series of English Noh including St. Francis\, At the Hawk’s Well\, and Eliza. In addition\, he has choreographed noh-style dances to jazz ballads and to poetry by T.S. Eliot. In 1998\, he was designated an Important Intangible Cultural Asset by the Japanese government. In 2016\, Matsui was awarded an honorary doctorate by Royal Holloway\, University of London\, in recognition of his status as a Noh master and for his long record of achievement in bringing Noh to new international audiences. Join noh scholar Margaret Coldiron as Matsui reflects on his life\, his achievements\, and his belief that noh has much to offer contemporary international performance. \nDr Margaret Coldiron is a theatre director\, performer\, teacher and a specialist in Asian performance and masks. She is the author of Trance and Transformation of the Masked Actor in Japanese Noh and Balinese Dance Drama (Mellen Press 2004) and has published widely on masks\, Asian and intercultural performance and actor training. \nPart of the Nogaku education and outreach programme. Click here for the full programme. \nFeatured image: Matsui Akira performs Takasago at the Southbank Centre\, London\, January 2020. Photo: Clive Barda/ArenaPal[/vc_column_text][/vc_column][/vc_row]
URL:https://royalasiaticsociety.org/lectures-event/the-life-and-work-of-noh-actor-akira-matsui-interviewed-by-margaret-coldiron/
LOCATION:Royal Asiatic Society\, 14 Stephenson Way\, London\, NW1 2HD\, United Kingdom
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://royalasiaticsociety.org/wp-content/uploads/2024/06/noh-1.jpg
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