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SUMMARY:Charlotte Horlyck: The Emergence of the Korean Art Collector and the Korean Art Market
DESCRIPTION:  \nArticulating the shifting interests in Korean art and offering new ways of conceiving the biases that initiated and impacted its collecting\, this book traces the rise of the modern Korean art market from its formative period in the 1870s through to its peak and subsequent decline in the 1930s. \nThe discussion centres on the collecting of Koryŏ celadon ceramics as they formed the focal point of commercial exchanges of Korean artefacts and explores how their acquisition and ownership formed part of the complex power relationship that played out between the Koreans\, Japanese\, Americans\, and Europeans. Drawing on a wide range of primary sources\, the volume analyses collectors’ acquisition practices\, arguing that their fascination with ceramics from the Koryŏ kingdom (918–1392) was shaped not only by the aesthetic appeal of the objects but also by biased perceptions of the Korean peninsula\, its history\, and people. \nThe book will be of interest to scholars working in art history\, social history\, cultural history\, Korean studies\, collection studies\, museum studies\, Korean history\, and Asian studies.
URL:https://royalasiaticsociety.org/lectures-event/charlotte-horlyck-the-emergence-of-the-korean-art-collector-and-the-korean-art-market/
LOCATION:Royal Asiatic Society Lecture Theatre\, 14 Stephenson Way\, London\, NW1 2HD\, United Kingdom
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