BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Royal Asiatic Society - ECPv6.17.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://royalasiaticsociety.org
X-WR-CALDESC:Events for Royal Asiatic Society
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20241027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20251026T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240926T183000
DTEND;TZID=Europe/London:20240926T203000
DTSTAMP:20240918T160916Z
CREATED:20240724T113311Z
LAST-MODIFIED:20240918T160916Z
UID:20673-1727375400-1727382600@royalasiaticsociety.org
SUMMARY:Alice Casalini: The art of crossing over: Gandhāran pathways to nirvāṇa
DESCRIPTION:  \nThe art of Gandhāra—a region stretching across modern-day Pakistan and Afghanistan—has often been heralded as prime example of proto-globalization: its rich and syncretic visual vocabulary that freely borrows from Hellenistic\, Iranian and Indian models easily lends itself to this discourse in the early centuries of the first millennium. Aquatic imagery in Gandhāra is one of the many lemmas in such vocabulary: nereids\, tritons\, and other sea monsters are commonly discussed as one of the figurative vehicles through which Hellenism reached Central and South Asia and took hold there. This talk\, however\, takes a different approach to this kind of images and explicitly asks what the role and function of aquatic imagery was within a Buddhist context. This talk demonstrates that the answer can be found in the Buddhist visual rhetoric of salvation. Through the careful analysis of several panels from the site of Andan Dheri\, in the Swat Valley\, and a series of preliminary reconstructions of the original architectural context of those panels depicting sea creatures\, I show that aquatic imagery was in fact a fundamental part of a specific iconographic program centered around metaphors of water-crossing—indeed\, one of the most enduring and popular metaphors of spiritual refinement meant to lead the devotee towards nirvāṇa. \nAlice Casalini received her MA in Chinese Studies from Ca’ Foscari University of Venice and trained as an archaeologist at the Department of Archaeology and Museology of Peking University and with the Italian Archaeological Mission in Pakistan. She is currently a PhD candidate in Art History at the University of Chicago.
URL:https://royalasiaticsociety.org/lectures-event/alice-casalini-the-art-of-crossing-over-gandharan-pathways-to-nirva%e1%b9%87a/
LOCATION:Royal Asiatic Society Lecture Theatre\, 14 Stephenson Way\, London\, NW1 2HD\, United Kingdom
CATEGORIES:RAS Lecture series 2024-25
END:VEVENT
END:VCALENDAR